
The Falls
Directed by Peter Greenaway
Produced by BFI
An avant-garde mockumentary that fragments a surreal mass-obsession event into 92 absurdist vignettes, prioritizing conceptual playfulness and interpretive openness over narrative coherence.
Told in the form of a mock documentary in 92 short parts, nineteen million people are left obsessed with birds and flight following a strange occurrence. A documentarian analyses the lives of all the survivors whose surnames begin with FALL to uncover the truth behind the event.
Genres
Questions people ask
Is The Falls violent? Barely. Less violent than 76% of films.
Is The Falls sad? Not especially. Less sad than 73% of films.
Is The Falls scary? Not especially. Less frightening than 65% of films.
Does The Falls end with hope? Not especially. Less hopeful than 64% of films.
Is The Falls easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble


Like The Falls
Nearest across the full emotional profile.
Same Mood as The Falls
Nearest on what's most distinctive about this one.
Like The Falls, But Darker
Similar, pushed toward heavier and more intense.
Like The Falls, But Lighter
Similar, pushed toward warmer and easier.
Like The Falls, But Less Popular
Same territory, far fewer people have seen it.

















































