
The Hit
Even bad guys have bad days.
Directed by Stephen Frears
Produced by Recorded Picture Company, Central
A darkly comic neo-noir road movie about a doomed criminal and his captors, where tension and mishap collide with wry humor and the weight of past sins.
Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.
Clusters
Questions people ask
Is The Hit violent? Yes. More violent than 83% of films.
Is The Hit scary? Yes. More frightening than 82% of films.
Does The Hit end with hope? Barely. Less hopeful than 78% of films.
Is The Hit sad? Somewhat. More sad than 70% of films.
Is The Hit easy watching? Not especially. Less comforting than 61% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like The Hit, and what each one shares →
Like The Hit
Nearest across the full emotional profile.
Same Mood as The Hit
Nearest on what's most distinctive about this one.
Like The Hit, But Darker
Similar, pushed toward heavier and more intense.
Like The Hit, But Lighter
Similar, pushed toward warmer and easier.
Like The Hit, But Less Popular
Same territory, far fewer people have seen it.


























































