No. Less sad than 97% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Knockout scary?

Barely. Less frightening than 84% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Knockout end with hope?

Yes. More hopeful than 81% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Knockout easy watching?

Yes. More comforting than 77% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Knockout violent?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Knockout

Name: The Knockout
Genre: Comedy
Released: 1914
Duration: 30 min
Rating: 5.8
Cast: Roscoe Arbuckle, Minta Durfee, Edgar Kennedy, Charlie Chaplin, Al St. John

Directed by Mack Sennett

Produced by Keystone Film Company

191430 min5.8 / 10

A lighthearted silent-era slapstick comedy about a man trying to impress his girlfriend through a boxing match, built entirely on physical humor and comic chaos.

To show his girl how brave he is, Pug challenges the champion to a fight. Charlie referees, trying to avoid contact with the two monsters.

Clusters

Silly Slapstick Comedies Goofy Comedy No Stakes Silly Comedy Movies Silly Comedies, No Romance Martial Arts & Combat Sports

Genres

Comedy

Keywords

Black And White Silent Film Boxing

Questions people ask

Is The Knockout sad? No. Less sad than 97% of films.
Is The Knockout scary? Barely. Less frightening than 84% of films.
Does The Knockout end with hope? Yes. More hopeful than 81% of films.
Is The Knockout easy watching? Yes. More comforting than 77% of films.
Is The Knockout violent? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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