
The Last Run
In the tradition of Hemingway and Bogart.
Directed by Richard Fleischer
Produced by Metro-Goldwyn-Mayer
A neo-noir thriller about a retired getaway driver drawn back into the criminal underworld for one final, doomed job, balancing quiet melancholy with mounting danger.
A former mob getaway driver from Chicago has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job - to drive a dangerous crook and his girlfriend to France.
Clusters
Questions people ask
Is The Last Run sad? Yes. More sad than 75% of films.
Is The Last Run scary? Somewhat. More frightening than 72% of films.
Does The Last Run end with hope? Not especially. Less hopeful than 64% of films.
Is The Last Run violent? Somewhat. More violent than 59% of films.
Is The Last Run easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Last Run
Nearest across the full emotional profile.
Same Mood as The Last Run
Nearest on what's most distinctive about this one.
Like The Last Run, But Darker
Similar, pushed toward heavier and more intense.
Like The Last Run, But Lighter
Similar, pushed toward warmer and easier.
Like The Last Run, But Less Popular
Same territory, far fewer people have seen it.

























































