Is The Line easy watching?

Barely. Less comforting than 86% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Line end with hope?

Barely. Less hopeful than 83% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More frightening than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More sad than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More violent than 68% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Line

Name: The Line
Genre: Crime, Thriller
Released: 2017
Duration: 108 min
Rating: 5.5
Cast: Tomáš Maštalír, Emília Vášáryová, Jevgenij Libezňuk, Andrej Hryc, Zuzana Fialová

There are borders you cross only once...

Directed by Peter Bebjak

Produced by Garnet International Media Group, Wandal Production

2017108 min5.5 / 10

A gritty crime thriller exploring the moral and physical boundaries of smuggling and trafficking at a contested border, where survival and transgression define existence.

Criminal thriller about traffickers and smugglers from Ukrainian border. The feature film about the borders and the life on their edge.

Clusters

Revenge Gone Wrong Corruption and Distrust Crime and Corruption Gangster Movies

Genres

Crime Thriller

Keywords

Smuggling (contraband)Drug Trafficker

Questions people ask

Is The Line easy watching? Barely. Less comforting than 86% of films.
Does The Line end with hope? Barely. Less hopeful than 83% of films.
Is The Line scary? Yes. More frightening than 82% of films.
Is The Line sad? Somewhat. More sad than 70% of films.
Is The Line violent? Somewhat. More violent than 68% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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