The Margin

The Margin

The line between love and lechery.

Directed by Walerian Borowczyk

Produced by Robert et Raymond Hakim, Paris-Film Production

197688 min6.1 / 10

A morally ambiguous exploration of desire and connection between a married man and a Parisian call girl, examining the blurred boundaries between physical attraction and emotional intimacy.

A businessman leaves his country home, and wife and young son for a business trip to Paris. While there he develops a sexual and spiritual bond with a call girl.

Questions people ask

  • Is The Margin violent? Barely. Less violent than 76% of films.

  • Is The Margin sad? Yes. More sad than 75% of films.

  • Is The Margin scary? Not especially. Less frightening than 65% of films.

  • Does The Margin end with hope? Not especially. Less hopeful than 64% of films.

  • Is The Margin easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

49/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

Familiar shape, done well.

Rarity76

How unlike any other film this one feels

Surprise52

How much more it delivers than it promises

Love25

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like The Margin

Nearest across the full emotional profile.

Same Mood as The Margin

Nearest on what's most distinctive about this one.

Like The Margin, But Darker

Similar, pushed toward heavier and more intense.

Like The Margin, But Lighter

Similar, pushed toward warmer and easier.

Like The Margin, But Less Popular

Same territory, far fewer people have seen it.

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