
The Phone
It all begins with a call.
Directed by Kim Bong-joo
Produced by Next Entertainment World, Mr. Romance
A dark, tension-driven thriller about grief and obsession, where a widowed lawyer pursues his wife's killer through a web of corruption and mystery.
When his wife is murdered, Dong-ho loses the light in his life, breaks down and falls into depression. But he knows that as long as the killer is still around, he can not get out of his loss. Then, one day, he receives a call and can not believe who he is listening to.
Clusters
Questions people ask
Is The Phone sad? Yes, very. More sad than 96% of films.
Is The Phone scary? Yes, very. More frightening than 94% of films.
Is The Phone easy watching? Barely. Less comforting than 86% of films.
Is The Phone violent? Yes. More violent than 80% of films.
Does The Phone end with hope? Not especially. Less hopeful than 70% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Like The Phone
Nearest across the full emotional profile.
Same Mood as The Phone
Nearest on what's most distinctive about this one.
Like The Phone, But Darker
Similar, pushed toward heavier and more intense.
Like The Phone, But Lighter
Similar, pushed toward warmer and easier.
Like The Phone, But Less Popular
Same territory, far fewer people have seen it.

















































