The Song of Names

The Song of Names

Music brought them together. Time would tear them apart.

Directed by François Girard

Produced by Serendipity Point Films, Lyla Films

2019114 min6.7 / 10

A melancholic, introspective search for a lost childhood friend set against the shadow of the Holocaust, anchored by music and memory.

A man searches for his childhood best friend, a Polish violin prodigy orphaned in the Holocaust, who vanished decades before on the night of his first public performance.

Questions people ask

  • Is The Song of Names sad? Yes, very. More sad than 98% of films.

  • Is The Song of Names violent? About average. Almost exactly mid-range.

  • Does The Song of Names end with hope? About average. Almost exactly mid-range.

  • Is The Song of Names scary? About average. Almost exactly mid-range.

  • Is The Song of Names easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

46/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

Familiar shape, done well.

Rarity86

How unlike any other film this one feels

Surprise13

How much more it delivers than it promises

Love55

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like The Song of Names

Nearest across the full emotional profile.

Same Mood as The Song of Names

Nearest on what's most distinctive about this one.

Like The Song of Names, But Darker

Similar, pushed toward heavier and more intense.

Like The Song of Names, But Lighter

Similar, pushed toward warmer and easier.

Like The Song of Names, But Less Popular

Same territory, far fewer people have seen it.

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