
The Sting
...all it takes is a little confidence.
Directed by George Roy Hill
Produced by Universal Pictures, The Zanuck/Brown Company
A charming, intricately plotted heist caper set in Depression-era Chicago that balances clever scheming with genuine warmth and playful mischief.
A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.
Clusters
Where to watch
Questions people ask
Is The Sting one of a kind? Yes, very. More singular than 90% of films.
Does The Sting end with hope? Yes. More hopeful than 81% of films.
Is The Sting sad? Barely. Less sad than 80% of films.
Is The Sting easy watching? Yes. More comforting than 77% of films.
Is The Sting violent? About average. Almost exactly mid-range.
Is The Sting scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like The Sting, and what each one shares →
Like The Sting
Nearest across the full emotional profile.
Same Mood as The Sting
Nearest on what's most distinctive about this one.
Like The Sting, But Darker
Similar, pushed toward heavier and more intense.
Like The Sting, But Lighter
Similar, pushed toward warmer and easier.
Like The Sting, But Less Popular
Same territory, far fewer people have seen it.





























































