
The Sweeney
Act like a criminal to catch a criminal.
Directed by Nick Love
Produced by Vertigo Films, Embargo Films
A gritty crime thriller about a rule-breaking cop caught between a murder investigation and personal corruption, driven by procedural tension and moral compromise.
Jack Regan, a hardened cop who doesn’t play by the rules, is confronted with a criminal from his past. With sidekick George Carter they are put on the case of a jewellery store heist that ends in a killing. But is that killing really an execution in disguise? With pressure from his boss and the fact that Regan is having an affair with that boss’s wife, it’s not going to be easy for him to stay out of trouble.
Questions people ask
Is The Sweeney scary? Yes. More frightening than 82% of films.
Is The Sweeney violent? Yes. More violent than 80% of films.
Does The Sweeney end with hope? Not especially. Less hopeful than 70% of films.
Is The Sweeney easy watching? Not especially. Less comforting than 61% of films.
Is The Sweeney sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like The Sweeney, and what each one shares →
Like The Sweeney
Nearest across the full emotional profile.
Same Mood as The Sweeney
Nearest on what's most distinctive about this one.
Like The Sweeney, But Darker
Similar, pushed toward heavier and more intense.
Like The Sweeney, But Lighter
Similar, pushed toward warmer and easier.
Like The Sweeney, But Less Popular
Same territory, far fewer people have seen it.





























































