Is The Third Murder sad?

Yes. More sad than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Third Murder easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Third Murder end with hope?

Not especially. Less hopeful than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Third Murder violent?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Third Murder scary?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Third Murder

Name: The Third Murder
Genre: Drama, Mystery, Crime
Released: 2017
Duration: 125 min
Rating: 6.6
Cast: Masaharu Fukuyama, Koji Yakusho, Suzu Hirose, Shinnosuke Mitsushima, Mikako Ichikawa

Everyone has a truth to want to believe.

Directed by Hirokazu Kore-eda

Produced by Fuji Television Network, AMUSE

2017125 min6.6 / 10

A cerebral, morally ambiguous courtroom drama that interrogates truth, justice, and the limits of certainty through a lawyer's deepening doubts.

A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.

Questions people ask

Is The Third Murder sad? Yes. More sad than 82% of films.
Is The Third Murder easy watching? Not especially. Less comforting than 74% of films.
Does The Third Murder end with hope? Not especially. Less hopeful than 70% of films.
Is The Third Murder violent? About average. Almost exactly mid-range.
Is The Third Murder scary? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.