
The Tobacconist
Directed by Nikolaus Leytner
Produced by Tobis Film, Glory Film
A contemplative historical drama about mentorship and coming-of-age set against the gathering darkness of Nazi occupation, anchored by the unlikely friendship between a young apprentice and Sigmund Freud.
Vienna, 1937, on the eve of the annexation of Austria into Nazi Germany. The young and inexperienced Franz Huchel begins to learn about both the joys and hardships of life by working as an apprentice to the mutilated war veteran Otto Trsnjek in a small tobacco shop, where he meets the famous psychiatrist Sigmund Freud, a regular customer, who will become a valuable friend in times of chaos and uncertainty.
Clusters
Questions people ask
Is The Tobacconist sad? Yes. More sad than 82% of films.
Is The Tobacconist scary? Not especially. Less frightening than 65% of films.
Is The Tobacconist violent? Not especially. Less violent than 64% of films.
Does The Tobacconist end with hope? Not especially. Less hopeful than 61% of films.
Is The Tobacconist easy watching? Somewhat. More comforting than 60% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Tobacconist
Nearest across the full emotional profile.
Same Mood as The Tobacconist
Nearest on what's most distinctive about this one.
Like The Tobacconist, But Darker
Similar, pushed toward heavier and more intense.
Like The Tobacconist, But Lighter
Similar, pushed toward warmer and easier.
Like The Tobacconist, But Less Popular
Same territory, far fewer people have seen it.





























































