
The World to Come
Directed by Mona Fastvold
Produced by Killer Films, M.Y.R.A. Entertainment
A lyrical, melancholic portrait of two isolated frontier women discovering intimacy and meaning in each other amid harsh, unforgiving landscape.
In 1856, two women forge a close connection despite their isolation on the American frontier.
Clusters
Where to watch
Questions people ask
Is The World to Come sad? Yes, very. More sad than 92% of films.
Is The World to Come violent? Not especially. Less violent than 64% of films.
Does The World to Come end with hope? Not especially. Less hopeful than 61% of films.
Is The World to Come scary? Not especially. Less frightening than 58% of films.
Is The World to Come easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like The World to Come, and what each one shares →
Like The World to Come
Nearest across the full emotional profile.
Same Mood as The World to Come
Nearest on what's most distinctive about this one.
Like The World to Come, But Darker
Similar, pushed toward heavier and more intense.
Like The World to Come, But Lighter
Similar, pushed toward warmer and easier.
Like The World to Come, But Less Popular
Same territory, far fewer people have seen it.

























































