Is The Yes Man violent?

Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Yes Man scary?

Not especially. Less frightening than 65% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Yes Man end with hope?

Not especially. Less hopeful than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less sad than 59% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Yes Man easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Yes Man

Name: The Yes Man
Genre: Comedy, Drama
Released: 1991
Duration: 92 min
Rating: 7
Cast: Silvio Orlando, Nanni Moretti, Giulio Brogi, Anne Roussel, Angela Finocchiaro

Directed by Daniele Luchetti

Produced by Sacher Film, Eidoscope Productions

199192 min7.0 / 10

A satirical political comedy-drama about the collision between an honest man and systemic corruption, exploring complicity and moral compromise.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

Clusters

Comedy That Turns Sharp Crime and Corruption Fate and Destiny

Genres

Comedy Drama

Keywords

Prophetic Political Corruption

Questions people ask

Is The Yes Man violent? Barely. Less violent than 76% of films.
Is The Yes Man scary? Not especially. Less frightening than 65% of films.
Does The Yes Man end with hope? Not especially. Less hopeful than 64% of films.
Is The Yes Man sad? Not especially. Less sad than 59% of films.
Is The Yes Man easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

78/ 100