
This Above All
He's lost his belief in everything but love.
Directed by Anatole Litvak
Produced by 20th Century Fox
A wartime romance centered on two people from opposing classes who find love amid moral uncertainty and the weight of national duty.
In 1940 England, aristocratic Prudence Cathaway alarms her snobbish parents by joining the WAF service branch. She soon meets and falls in love with the brooding Clive Briggs, despite his prejudice against the upper classes, and agrees to spend a week with him at a Dover hotel. When Clive's soldier friend, Monty, arrives to retrieve him, Prudence learns that Clive went AWOL after Dunkirk, and urges him to recall why England must fight the war.
Clusters
Keywords
Questions people ask
Is This Above All sad? Yes. More sad than 75% of films.
Is This Above All easy watching? Somewhat. More comforting than 67% of films.
Does This Above All end with hope? Somewhat. More hopeful than 62% of films.
Is This Above All scary? Not especially. Less frightening than 58% of films.
Is This Above All violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Like This Above All
Nearest across the full emotional profile.
Same Mood as This Above All
Nearest on what's most distinctive about this one.
Like This Above All, But Darker
Similar, pushed toward heavier and more intense.
Like This Above All, But Lighter
Similar, pushed toward warmer and easier.
Like This Above All, But Less Popular
Same territory, far fewer people have seen it.

















































