
TRIO - The Hunt for the Holy Shrine
Will they crack the code?
Directed by Eva Dahr
Produced by NordicStories AS
A family-friendly adventure about three young protagonists solving mysteries and competing in a treasure hunt centered on a historical religious artifact.
The curious Nora, Simen and Lars decide to start the hunt for the sacred Olav shrine in or around the medieval church Nidaros Dome, which has been gone for hundred of years. But they are not the only ones interested in finding the treasure.
Clusters
Questions people ask
Is TRIO - The Hunt for the Holy Shrine sad? Barely. Less sad than 89% of films.
Does TRIO - The Hunt for the Holy Shrine end with hope? Yes. More hopeful than 85% of films.
Is TRIO - The Hunt for the Holy Shrine easy watching? Yes. More comforting than 82% of films.
Is TRIO - The Hunt for the Holy Shrine violent? Not especially. Less violent than 64% of films.
Is TRIO - The Hunt for the Holy Shrine scary? Not especially. Less frightening than 58% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like TRIO - The Hunt for the Holy Shrine
Nearest across the full emotional profile.
Same Mood as TRIO - The Hunt for the Holy Shrine
Nearest on what's most distinctive about this one.
Like TRIO - The Hunt for the Holy Shrine, But Darker
Similar, pushed toward heavier and more intense.
Like TRIO - The Hunt for the Holy Shrine, But Lighter
Similar, pushed toward warmer and easier.
Like TRIO - The Hunt for the Holy Shrine, But Less Popular
Same territory, far fewer people have seen it.





















































