
Twelve
No one needs anything here. It's all about want.
Directed by Joel Schumacher
Produced by Artina Films, Gaumont
A dark, kinetic crime drama about the collapse of a drug dealer's world following his cousin's murder, exploring themes of desire, consequence, and moral decay.
A young drug dealer watches as his high-rolling life is dismantled in the wake of his cousin's murder, which sees his best friend arrested for the crime.
Clusters
Keywords
Questions people ask
Is Twelve one of a kind? No. Less singular than 92% of films.
Does Twelve end with hope? No. Less hopeful than 91% of films.
Is Twelve violent? Yes. More violent than 88% of films.
Is Twelve scary? Yes. More frightening than 87% of films.
Is Twelve easy watching? Not especially. Less comforting than 74% of films.
Is Twelve sad? Somewhat. More sad than 70% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Twelve, and what each one shares →
Like Twelve
Nearest across the full emotional profile.
Same Mood as Twelve
Nearest on what's most distinctive about this one.
Like Twelve, But Darker
Similar, pushed toward heavier and more intense.
Like Twelve, But Lighter
Similar, pushed toward warmer and easier.
Like Twelve, But Less Popular
Same territory, far fewer people have seen it.





























































