
Wajib
Directed by Annemarie Jacir
Produced by Klinkerfilm, Ape&Bjørn
A tender, introspective portrait of a father-son relationship fractured by distance and differing worldviews, unfolding through the mundane intimacy of a car ride across Nazareth.
After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.
Clusters
Genres
Questions people ask
Is Wajib violent? No. Less violent than 92% of films.
Is Wajib scary? Barely. Less frightening than 84% of films.
Is Wajib sad? Somewhat. More sad than 70% of films.
Is Wajib easy watching? Somewhat. More comforting than 67% of films.
Does Wajib end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Wajib
Nearest across the full emotional profile.
Same Mood as Wajib
Nearest on what's most distinctive about this one.
Like Wajib, But Darker
Similar, pushed toward heavier and more intense.
Like Wajib, But Lighter
Similar, pushed toward warmer and easier.
Like Wajib, But Less Popular
Same territory, far fewer people have seen it.























































