Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More sad than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More comforting than 67% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less frightening than 65% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does We end with hope?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

We

Name: We
Genre: Documentary
Released: 2022
Duration: 115 min
Rating: 6.2
Cast: Marcel Balnoas, Ethan Balnoas, Florence Roche, Ismael Soumaïla Sissoko, Bamba Sibi

Directed by Alice Diop

Produced by Athénaïse, ARTE

2022115 min6.2 / 10

A meditative documentary portrait of urban and suburban Paris through the lens of a train journey, assembling individual human stories into a collective identity.

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

Clusters

Slow Character Dramas Unlikely Caregiver Friendships Bittersweet Family Stories Training And Mentorship Urban and Small-Town Settings

Genres

Documentary

Keywords

Paris, France Identity Train Suburb Inner City Woman Director

Questions people ask

Is We violent? Barely. Less violent than 76% of films.
Is We sad? Somewhat. More sad than 70% of films.
Is We easy watching? Somewhat. More comforting than 67% of films.
Is We scary? Not especially. Less frightening than 65% of films.
Does We end with hope? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

35/ 100