
Wolves at the Door
When night falls, the wolves will hunt.
Directed by John R. Leonetti
Produced by New Line Cinema, The Safran Company
A brutal home-invasion thriller rooted in a true 1960s crime, built on sustained paranoia and graphic violence as strangers methodically hunt trapped victims.
Four friends gather at an elegant home during the Summer of Love, 1969. Unbeknownst to them, deadly visitors are waiting outside. What begins as a simple farewell party turns to a night of primal terror as the intruders stalk and torment the four, who struggle for their lives against what appears to be a senseless attack.
Clusters
Questions people ask
Is Wolves at the Door scary? Yes, very. More frightening than 99% of films.
Does Wolves at the Door end with hope? No. Less hopeful than 96% of films.
Is Wolves at the Door violent? Yes, very. More violent than 95% of films.
Is Wolves at the Door easy watching? No. Less comforting than 92% of films.
Is Wolves at the Door sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Wolves at the Door, and what each one shares →
Like Wolves at the Door
Nearest across the full emotional profile.
Same Mood as Wolves at the Door
Nearest on what's most distinctive about this one.
Like Wolves at the Door, But Darker
Similar, pushed toward heavier and more intense.
Like Wolves at the Door, But Lighter
Similar, pushed toward warmer and easier.
Like Wolves at the Door, But Less Popular
Same territory, far fewer people have seen it.



























































