
Yes
Directed by Nadav Lapid
Produced by Les Films du Bal, Chi-Fou-Mi Productions
A darkly absurdist satire about artistic compromise and complicity, where a couple's surrender to power becomes both a tragicomic descent and a pointed critique of institutional corruption.
In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem.
Clusters
Questions people ask
Does Yes end with hope? No. Less hopeful than 96% of films.
Is Yes sad? Yes, very. More sad than 91% of films.
Is Yes easy watching? Not especially. Less comforting than 74% of films.
Is Yes scary? Somewhat. More frightening than 72% of films.
Is Yes violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble






Like Yes
Nearest across the full emotional profile.
Same Mood as Yes
Nearest on what's most distinctive about this one.
Like Yes, But Darker
Similar, pushed toward heavier and more intense.
Like Yes, But Lighter
Similar, pushed toward warmer and easier.
Like Yes, But Less Popular
Same territory, far fewer people have seen it.

















































