
Hasta que el dinero nos separe
Created by Fernando Gaitán
On UniMás
A romantic telenovela centered on class conflict and love, built on the familiar melodramatic formula of passion, misunderstanding, and eventual redemption.
Hasta Que el Dinero Nos Separe is a telenovela produced by Emilio Larrosa. It is a remake of the Colombian soap opera Hasta Que la Plata Nos Separe. Hasta Que el Dinero Nos Separe stars Itatí Cantoral, Pedro Fernández, Victor Noriega, Luz Elena González and Joana Benedek. The telenovela made its debut on June 29, 2009 at 8 pm in Mexico's Canal de las Estrellas, in HD in some markets, and January 18, 2010 at 8/7 pm USA's Univision, starting on April 26, 2010, it aired from 8 pm est to 10 pm est in HD in some markets, until June 1, 2010, when Soy Tu Dueña premiered on Univision at 9pm, thus returning the novela back to its former one hour airing time. On February 16, 2010 Hasta Que El dinero nos separe premiered on internet TV's bsn Latino. "The Best Telenovela of the Year 2010."
Where to watch
Questions people ask
Is Hasta que el dinero nos separe one of a kind? No. Less singular than 97% of series.
Does Hasta que el dinero nos separe leave you hopeful? Somewhat. More hopeful than 69% of series.
Is Hasta que el dinero nos separe easy watching? Somewhat. More comforting than 66% of series.
Is Hasta que el dinero nos separe violent? Not especially. Less violent than 65% of series.
Is Hasta que el dinero nos separe sad? About average. Almost exactly mid-range.
Is Hasta que el dinero nos separe scary? About average. Almost exactly mid-range.
These describe how the series comes across across its whole run, compared with other well-known series. They are not a content list — nothing here was counted or checked episode by episode, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this series gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other series this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble



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