
Adiós, Sabata
Sabata Aims to Kill ...and his gun does the rest!
Directed by Gianfranco Parolini
Produced by PEA, United Artists
A spaghetti western revenge tale built on gunplay, double-crosses, and a mercenary hero's determination to collect his due against a corrupt colonel.
Under the brutal rule of local garrison leader Colonel Skimmel and European tyranny, a group of Mexican revolutionaries hires gunslinger Sabata to rob a transport of Austrian gold to buy weapons. But Colonel Skimmel has other plans, taking the gold for himself and blaming the revolutionaries. But no scheming colonel is going to keep Sabata from earning his pay.
Questions people ask
Is Adiós, Sabata violent? Yes. More violent than 88% of films.
Is Adiós, Sabata sad? Not especially. Less sad than 73% of films.
Is Adiós, Sabata scary? Somewhat. More frightening than 61% of films.
Is Adiós, Sabata easy watching? Not especially. Less comforting than 61% of films.
Does Adiós, Sabata end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Like Adiós, Sabata
Nearest across the full emotional profile.
Same Mood as Adiós, Sabata
Nearest on what's most distinctive about this one.
Like Adiós, Sabata, But Darker
Similar, pushed toward heavier and more intense.
Like Adiós, Sabata, But Lighter
Similar, pushed toward warmer and easier.
Like Adiós, Sabata, But Less Popular
Same territory, far fewer people have seen it.

















































