
Ava
Kill. Or be killed.
Directed by Tate Taylor
Produced by Freckle Films, Voltage Pictures
A taut, violent thriller about a professional assassin hunted by her own organization, driven by survival instinct rather than character depth.
A black ops assassin is forced to fight for her own survival after a job goes dangerously wrong.
Clusters
Where to watch
Questions people ask
Is Ava one of a kind? No. Less singular than 98% of films.
Is Ava violent? Yes, very. More violent than 95% of films.
Is Ava scary? Yes, very. More frightening than 94% of films.
Is Ava easy watching? Not especially. Less comforting than 74% of films.
Does Ava end with hope? Not especially. Less hopeful than 70% of films.
Is Ava sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
- The Three-Year EchoFinding
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Ava, and what each one shares →
Like Ava
Nearest across the full emotional profile.
Same Mood as Ava
Nearest on what's most distinctive about this one.
Like Ava, But Darker
Similar, pushed toward heavier and more intense.
Like Ava, But Lighter
Similar, pushed toward warmer and easier.
Like Ava, But Less Popular
Same territory, far fewer people have seen it.





























































