No. Less violent than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Barely. Less frightening than 84% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Aya easy watching?

Yes. More comforting than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More sad than 75% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Aya end with hope?

Somewhat. More hopeful than 62% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Aya

Name: Aya
Genre: Drama, Music
Released: 2012
Duration: 40 min
Rating: 6.2
Cast: Sarah Adler, Ulrich Thomsen

Directed by Mihal Brezis, Oded Binnun

Produced by Divine Productions, Cassis Films

201240 min6.2 / 10

A tender, intimate road film about two guarded souls finding unexpected connection through spontaneity and shared vulnerability.

When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.

Clusters

Realistic Romance Stories Musicians And Performers Strong Female Characters

Genres

Drama Music

Keywords

Jerusalem Pianist Woman Director Short Film

Questions people ask

Is Aya violent? No. Less violent than 92% of films.
Is Aya scary? Barely. Less frightening than 84% of films.
Is Aya easy watching? Yes. More comforting than 82% of films.
Is Aya sad? Yes. More sad than 75% of films.
Does Aya end with hope? Somewhat. More hopeful than 62% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

39/ 100