
Mary Magdalene
Her story will be told
Directed by Garth Davis
Produced by Focus Features, Film4 Productions
A spiritual drama centered on one woman's liberation and spiritual awakening through faith, emphasizing personal transformation and belonging within a radical religious movement.
In the first century, free-spirited Mary Magdalene flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher named Jesus.
Clusters
Genres
Where to watch
- StreamPhilo, AMC+, Sundance Now
- FreeKanopy
- RentApple TV Store
- BuyApple TV Store, Google Play Movies, Amazon Video, YouTube
Questions people ask
Does Mary Magdalene end with hope? Yes. More hopeful than 81% of films.
Is Mary Magdalene easy watching? Somewhat. More comforting than 67% of films.
Is Mary Magdalene violent? About average. Almost exactly mid-range.
Is Mary Magdalene sad? About average. Almost exactly mid-range.
Is Mary Magdalene scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Mary Magdalene, and what each one shares →
Like Mary Magdalene
Nearest across the full emotional profile.
Same Mood as Mary Magdalene
Nearest on what's most distinctive about this one.
Like Mary Magdalene, But Darker
Similar, pushed toward heavier and more intense.
Like Mary Magdalene, But Lighter
Similar, pushed toward warmer and easier.
Like Mary Magdalene, But Less Popular
Same territory, far fewer people have seen it.





























































