Is Bonjour Tristesse sad?

Yes. More sad than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Bonjour Tristesse violent?

Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Bonjour Tristesse scary?

Not especially. Less frightening than 65% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Bonjour Tristesse end with hope?

Not especially. Less hopeful than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Bonjour Tristesse easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Bonjour Tristesse

Name: Bonjour Tristesse
Genre: Drama, Romance
Released: 1958
Duration: 94 min
Rating: 6.7
Cast: Deborah Kerr, David Niven, Jean Seberg, Mylène Demongeot, Geoffrey Horne

Directed by Otto Preminger

Produced by Wheel Productions, Columbia Pictures

195894 min6.7 / 10

A bittersweet portrait of adolescent selfishness and emotional awakening set against the glamorous, sun-drenched backdrop of the French Riviera.

A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.

Questions people ask

Is Bonjour Tristesse sad? Yes. More sad than 82% of films.
Is Bonjour Tristesse violent? Barely. Less violent than 76% of films.
Is Bonjour Tristesse scary? Not especially. Less frightening than 65% of films.
Does Bonjour Tristesse end with hope? Not especially. Less hopeful than 64% of films.
Is Bonjour Tristesse easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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