
Children
Directed by Terence Davies
Produced by BFI
A spare, introspective portrait of childhood isolation and grief, framed through an adult's fragmented recollection of loss and alienation.
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or eleven that year, picked on by bullies at the Catholic school he attends. He seems friendless. At home, his mother is quiet, his father is ill and angry. After his father's death, there's a wake, the coffin arrives, the body is removed. The lad grieves, alone.
Questions people ask
Is Children sad? Yes, very. More sad than 99% of films.
Does Children end with hope? No. Less hopeful than 91% of films.
Is Children easy watching? Barely. Less comforting than 86% of films.
Is Children violent? About average. Almost exactly mid-range.
Is Children scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Children
Nearest across the full emotional profile.
Same Mood as Children
Nearest on what's most distinctive about this one.
Like Children, But Darker
Similar, pushed toward heavier and more intense.
Like Children, But Lighter
Similar, pushed toward warmer and easier.
Like Children, But Less Popular
Same territory, far fewer people have seen it.






















































