Is Come and Get It sad?

Yes. More sad than 88% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Come and Get It end with hope?

Barely. Less hopeful than 78% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Come and Get It violent?

Not especially. Less violent than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Come and Get It scary?

Not especially. Less frightening than 58% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Come and Get It easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Come and Get It

Name: Come and Get It
Genre: Drama, Romance
Released: 1936
Duration: 99 min
Rating: 6.8
Cast: Edward Arnold, Joel McCrea, Frances Farmer, Walter Brennan, Mady Christians

YOUTH SACRIFICED! ON THE ALTAR OF POWER!

Directed by Howard Hawks, William Wyler

Produced by Howard Productions, United Artists

193699 min6.8 / 10

A morally conflicted drama about ambition and desire, where a man's ruthless pursuit of wealth and status destroys genuine love and repeats itself across generations.

An ambitious lumberjack abandons his saloon girl lover so that he can marry into wealth, but years later becomes infatuated with the woman's daughter.

Questions people ask

Is Come and Get It sad? Yes. More sad than 88% of films.
Does Come and Get It end with hope? Barely. Less hopeful than 78% of films.
Is Come and Get It violent? Not especially. Less violent than 64% of films.
Is Come and Get It scary? Not especially. Less frightening than 58% of films.
Is Come and Get It easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.