Does Dead Times end with hope?

No. Less hopeful than 98% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Dead Times violent?

Yes, very. More violent than 95% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Dead Times easy watching?

No. Less comforting than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes, very. More sad than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More frightening than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Dead Times

Name: Dead Times
Genre: Animation, Drama
Released: 1964
Duration: 10 min
Rating: 7.1
Cast: Roland Dubillard

Directed by René Laloux

Produced by Como Films, Les Films Paul Grimault

196410 min7.1 / 10

A surreal, montage-driven meditation on human violence and destructiveness that uses dark irony and fragmented imagery to interrogate the nature of mankind.

What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.

Clusters

Injury And Mental Breakdown Reality Turning Into Horror Crimes That Resurface Supernatural Horror Films Art and Philosophy Movements

Genres

Animation Drama

Keywords

Surreal Surrealism Adult Animation Short Film

Questions people ask

Does Dead Times end with hope? No. Less hopeful than 98% of films.
Is Dead Times violent? Yes, very. More violent than 95% of films.
Is Dead Times easy watching? No. Less comforting than 92% of films.
Is Dead Times sad? Yes, very. More sad than 91% of films.
Is Dead Times scary? Yes. More frightening than 76% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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