
Deceiver
There are two sides to every lie.
Directed by Josh Pate, Jonas Pate
Produced by MDP Worldwide, Metro-Goldwyn-Mayer
A tense psychological thriller built on interrogation and manipulation, where truth becomes a weapon and moral certainty dissolves.
The gruesome death of a prostitute brings suspicion on one of her clients, James Wayland, a brilliant, self-destructive and epileptic heir to a textile fortune. So detectives Braxton and Kennesaw take Wayland in for questioning, thinking they can break the man. But despite his troubles, Wayland is a master of manipulation, and during the interrogation, he begins to turn the tables on the investigators, forcing them to reveal their own sinister sides.
Clusters
Keywords
Questions people ask
Does Deceiver end with hope? No. Less hopeful than 91% of films.
Is Deceiver easy watching? Barely. Less comforting than 86% of films.
Is Deceiver scary? Somewhat. More frightening than 72% of films.
Is Deceiver violent? Somewhat. More violent than 59% of films.
Is Deceiver sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Deceiver
Nearest across the full emotional profile.
Same Mood as Deceiver
Nearest on what's most distinctive about this one.
Like Deceiver, But Darker
Similar, pushed toward heavier and more intense.
Like Deceiver, But Lighter
Similar, pushed toward warmer and easier.
Like Deceiver, But Less Popular
Same territory, far fewer people have seen it.



























































