Demonlover

Demonlover

Treason is the key to power

Directed by Olivier Assayas

Produced by Elizabeth Films, M6 Films

2002121 min5.8 / 10

A cold, disorienting corporate thriller that uses explicit digital media and corporate espionage as a lens for examining power, exploitation, and moral corruption in the digital age.

A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.

Questions people ask

  • Does Demonlover end with hope? No. Less hopeful than 98% of films.

  • Is Demonlover scary? Yes, very. More frightening than 95% of films.

  • Is Demonlover easy watching? No. Less comforting than 92% of films.

  • Is Demonlover violent? Yes. More violent than 83% of films.

  • Is Demonlover sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

34/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

You have seen this shape before.

Rarity79

How unlike any other film this one feels

Surprise22

How much more it delivers than it promises

Love15

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like Demonlover

Nearest across the full emotional profile.

Same Mood as Demonlover

Nearest on what's most distinctive about this one.

Like Demonlover, But Darker

Similar, pushed toward heavier and more intense.

Like Demonlover, But Lighter

Similar, pushed toward warmer and easier.

Like Demonlover, But Less Popular

Same territory, far fewer people have seen it.

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