Chaos

Chaos

There are two sides to every woman

Directed by Hideo Nakata

Produced by Euroimages Fund of the Council of Europe, Taki Corporation

2000103 min6.4 / 10

A tense, labyrinthine thriller where a seemingly straightforward kidnapping unravels into multiple mysteries, driven by deception and unreliable perspectives.

A kidnapping for ransom seemingly goes off without a hitch, but as one thread left unsolved suddenly reveals many more mysteries, the whole operation threatens to descend into chaos.

Questions people ask

  • Does Chaos end with hope? Barely. Less hopeful than 83% of films.

  • Is Chaos easy watching? Not especially. Less comforting than 74% of films.

  • Is Chaos scary? Somewhat. More frightening than 72% of films.

  • Is Chaos violent? Somewhat. More violent than 59% of films.

  • Is Chaos sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

44/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

You have seen this shape before.

Rarity35

How unlike any other film this one feels

Surprise61

How much more it delivers than it promises

Love40

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like Chaos

Nearest across the full emotional profile.

Same Mood as Chaos

Nearest on what's most distinctive about this one.

Like Chaos, But Darker

Similar, pushed toward heavier and more intense.

Like Chaos, But Lighter

Similar, pushed toward warmer and easier.

Like Chaos, But Less Popular

Same territory, far fewer people have seen it.

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