
Diary of a Shinjuku Thief
Directed by Nagisa Ōshima
Produced by Sozosha, Art Theatre Guild
A formally inventive, sexually charged exploration of desire and identity in 1960s Tokyo that blends documentary realism with theatrical artifice and dark comedy.
In Tokyo's Shinjuku district, the lives of a young man prone to theft, a young woman he meets at a bookstore, and a kabuki actor intersect.
Clusters
Questions people ask
Is Diary of a Shinjuku Thief sad? Somewhat. More sad than 70% of films.
Does Diary of a Shinjuku Thief end with hope? Not especially. Less hopeful than 64% of films.
Is Diary of a Shinjuku Thief scary? About average. Almost exactly mid-range.
Is Diary of a Shinjuku Thief violent? About average. Almost exactly mid-range.
Is Diary of a Shinjuku Thief easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Diary of a Shinjuku Thief
Nearest across the full emotional profile.
Same Mood as Diary of a Shinjuku Thief
Nearest on what's most distinctive about this one.
Like Diary of a Shinjuku Thief, But Darker
Similar, pushed toward heavier and more intense.
Like Diary of a Shinjuku Thief, But Lighter
Similar, pushed toward warmer and easier.
Like Diary of a Shinjuku Thief, But Less Popular
Same territory, far fewer people have seen it.


























































