
Don't Look Away
It doesn't breathe. It doesn't move. It just kills.
Directed by Michael Bafaro
Produced by Level 33 Entertainment, IndustryWorks Studios
A paranoia-soaked supernatural slasher where an unstoppable killer mannequin hunts a young woman and her friends, built on the dread of an inescapable curse.
After a gang of criminals unintentionally unleashes a supernatural force onto the world, a young woman named Frankie is convinced she's being stalked by a killer mannequin. Frankie soon realizes that her friends are in jeopardy too. She must find the man who holds the key to stopping the killings, but Frankie knows that once you see the mannequin, there may be no end in sight, except for your own.
Clusters
Questions people ask
Is Don't Look Away scary? Yes, very. More frightening than 97% of films.
Is Don't Look Away easy watching? No. Less comforting than 92% of films.
Is Don't Look Away violent? Yes. More violent than 88% of films.
Does Don't Look Away end with hope? Barely. Less hopeful than 80% of films.
Is Don't Look Away sad? Not especially. Less sad than 67% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Don't Look Away
Nearest across the full emotional profile.
Same Mood as Don't Look Away
Nearest on what's most distinctive about this one.
Like Don't Look Away, But Darker
Similar, pushed toward heavier and more intense.
Like Don't Look Away, But Lighter
Similar, pushed toward warmer and easier.
Like Don't Look Away, But Less Popular
Same territory, far fewer people have seen it.




















































