Eight Days a Week
He Came. He Sat. He Conquered.
Directed by Michael Davis
Produced by Underdog Productions, Warner Bros. Pictures
A lighthearted romantic comedy about youthful obsession and persistence, built on the charm of a boy's eccentric summer-long pursuit of his neighbor.
Peter loves his next door neighbour Erica and, on the advice of his grandfather, decides to camp out on her front lawn for the entire summer, or until she agrees to go out with him. His father is none too happy about the idea and refuses to let his son back in the house, even to get a change of clothes.
Clusters
Questions people ask
Is Eight Days a Week violent? Barely. Less violent than 86% of films.
Does Eight Days a Week end with hope? Yes. More hopeful than 85% of films.
Is Eight Days a Week scary? Barely. Less frightening than 84% of films.
Is Eight Days a Week easy watching? Yes. More comforting than 82% of films.
Is Eight Days a Week sad? Not especially. Less sad than 67% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Eight Days a Week
Nearest across the full emotional profile.
Same Mood as Eight Days a Week
Nearest on what's most distinctive about this one.
Like Eight Days a Week, But Darker
Similar, pushed toward heavier and more intense.
Like Eight Days a Week, But Lighter
Similar, pushed toward warmer and easier.
Like Eight Days a Week, But Less Popular
Same territory, far fewer people have seen it.
