
Entr'acte
Directed by René Clair
Produced by Les Ballets Suedois
A gleefully absurdist avant-garde collage that prioritizes visual surprise and dadaist logic over narrative coherence or emotional warmth.
Stop-motion photography blends with extreme slow-motion in Clair's first and most dada film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
Keywords
Questions people ask
Is Entr'acte sad? Barely. Less sad than 89% of films.
Is Entr'acte scary? Barely. Less frightening than 84% of films.
Is Entr'acte violent? Barely. Less violent than 76% of films.
Does Entr'acte end with hope? About average. Almost exactly mid-range.
Is Entr'acte easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble






Like Entr'acte
Nearest across the full emotional profile.
Same Mood as Entr'acte
Nearest on what's most distinctive about this one.
Like Entr'acte, But Darker
Similar, pushed toward heavier and more intense.
Like Entr'acte, But Lighter
Similar, pushed toward warmer and easier.
Like Entr'acte, But Less Popular
Same territory, far fewer people have seen it.

















































