
Estranged
There's no place like home.
Directed by Adam Levins
Produced by Vicarious Entertainment, Face Films
A dark psychological thriller about a woman returning home with amnesia, discovering that her family harbors sinister secrets beneath a veneer of normalcy.
Due to a near-fatal accident that has left her incapacitated and depleted of her long-term memory, a temporarily wheelchair-bound woman returns home after being abroad for six years accompanied by her bohemian boyfriend, the apparent cause of the accident. Unable to remember her family or her own childhood, she sets out, with the help of her boyfriend, to find the reason for her leaving all those years ago and quickly discovers her relatives may not be as loving as she’d thought
Clusters
Keywords
Questions people ask
Is Estranged sad? Yes. More sad than 88% of films.
Does Estranged end with hope? Not especially. Less hopeful than 70% of films.
Is Estranged scary? Somewhat. More frightening than 67% of films.
Is Estranged easy watching? Not especially. Less comforting than 61% of films.
Is Estranged violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Estranged
Nearest across the full emotional profile.
Same Mood as Estranged
Nearest on what's most distinctive about this one.
Like Estranged, But Darker
Similar, pushed toward heavier and more intense.
Like Estranged, But Lighter
Similar, pushed toward warmer and easier.
Like Estranged, But Less Popular
Same territory, far fewer people have seen it.
























































