
Everybody Wins
How deep do lies go?
Directed by Karel Reisz
Produced by Recorded Picture Company
A morally murky crime thriller about deception and institutional corruption, where nothing and no one is quite what they seem.
A seemingly good Samaritan hires a private detective to prove a teen sitting in prison on a murder charge is innocent. His investigation discovers deep corruption in a Connecticut town and finds the woman isn't everything she is pretending to be either.
Clusters
Genres
Questions people ask
Is Everybody Wins sad? Somewhat. More sad than 70% of films.
Does Everybody Wins end with hope? Not especially. Less hopeful than 70% of films.
Is Everybody Wins scary? Somewhat. More frightening than 67% of films.
Is Everybody Wins violent? About average. Almost exactly mid-range.
Is Everybody Wins easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Everybody Wins
Nearest across the full emotional profile.
Same Mood as Everybody Wins
Nearest on what's most distinctive about this one.
Like Everybody Wins, But Darker
Similar, pushed toward heavier and more intense.
Like Everybody Wins, But Lighter
Similar, pushed toward warmer and easier.
Like Everybody Wins, But Less Popular
Same territory, far fewer people have seen it.




























































