
Grizzly II: Revenge
The Stage Is Set... And The Dinner Is Served.
Directed by André Szöts
Produced by Harlequin Pictures, GBGB International
A creature-feature thriller that pits a vengeful grizzly against a rock concert crowd, blending animal horror with exploitation spectacle and 1980s nostalgia.
All hell breaks loose when a giant grizzly, reacting to the slaughter of her cubs by poachers, attacks a massive rock concert in the National Park. [This sequel to "Grizzly" (1976) was left unfinished after production wrapped prematurely in 1983, and was not officially released until 2020, though a bootleg workprint version had been in circulation for some years prior to this.]
Clusters
Questions people ask
Is Grizzly II: Revenge easy watching? No. Less comforting than 92% of films.
Does Grizzly II: Revenge end with hope? No. Less hopeful than 91% of films.
Is Grizzly II: Revenge violent? Yes. More violent than 88% of films.
Is Grizzly II: Revenge scary? Yes. More frightening than 82% of films.
Is Grizzly II: Revenge sad? Not especially. Less sad than 59% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Grizzly II: Revenge
Nearest across the full emotional profile.
Same Mood as Grizzly II: Revenge
Nearest on what's most distinctive about this one.
Like Grizzly II: Revenge, But Darker
Similar, pushed toward heavier and more intense.
Like Grizzly II: Revenge, But Lighter
Similar, pushed toward warmer and easier.
Like Grizzly II: Revenge, But Less Popular
Same territory, far fewer people have seen it.





























































