Yes. More sad than 88% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does High Art end with hope?

Not especially. Less hopeful than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less violent than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is High Art easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

High Art

Name: High Art
Genre: Drama, Romance
Released: 1998
Duration: 101 min
Rating: 6.2
Cast: Radha Mitchell, Ally Sheedy, Gabriel Mann, Patricia Clarkson, David Thornton

a story of ambition, sacrifice, seduction and other career moves.

Directed by Lisa Cholodenko

Produced by Antidote Films, October Films

1998101 min6.2 / 10

A morally complex romance between two ambitious women in New York's art world, where love and exploitation become dangerously intertwined against a backdrop of addiction and career hunger.

When Syd, a young editor at an influential art magazine, becomes involved with her neighbor, a drug-addicted lesbian photographer, both seek to exploit each other for their respective careers while slowly falling in love with each other.

Questions people ask

Is High Art sad? Yes. More sad than 88% of films.
Does High Art end with hope? Not especially. Less hopeful than 70% of films.
Is High Art violent? Not especially. Less violent than 64% of films.
Is High Art scary? About average. Almost exactly mid-range.
Is High Art easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

28/ 100