
Home
Directed by Ursula Meier
Produced by Box Productions, Archipel 33>35
A claustrophobic domestic study of control, isolation, and the fragility of self-constructed worlds when external reality intrudes.
Along with her husband and three children, Marthe lives in an eden of her own creation, nearly isolated from the rest of the world. The arrival of a construction vehicle, however, pierces their tranquil, hermetic existence—before long a disused highway has been re-opened, and the family finds their home situated in the midst of rush-hour traffic. While the privileges of clean air, quietude and privacy are thus denied them, Marthe remains determined to stay no matter the cost.
Clusters
Genres
Questions people ask
Is Home sad? Yes, very. More sad than 91% of films.
Does Home end with hope? Barely. Less hopeful than 83% of films.
Is Home violent? Barely. Less violent than 76% of films.
Is Home scary? Somewhat. More frightening than 67% of films.
Is Home easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble






Like Home
Nearest across the full emotional profile.
Same Mood as Home
Nearest on what's most distinctive about this one.
Like Home, But Darker
Similar, pushed toward heavier and more intense.
Like Home, But Lighter
Similar, pushed toward warmer and easier.
Like Home, But Less Popular
Same territory, far fewer people have seen it.

















































