
Intervals
Directed by Peter Greenaway
An experimental documentary meditation on urban decay and temporal rhythm, using static observation and fragmented editing to transform mundane street life into abstract visual poetry.
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.
Clusters
Genres
Keywords
Questions people ask
Is Intervals violent? No. Less violent than 92% of films.
Is Intervals scary? Barely. Less frightening than 76% of films.
Is Intervals sad? Somewhat. More sad than 70% of films.
Does Intervals end with hope? Not especially. Less hopeful than 64% of films.
Is Intervals easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Like Intervals
Nearest across the full emotional profile.
Same Mood as Intervals
Nearest on what's most distinctive about this one.
Like Intervals, But Darker
Similar, pushed toward heavier and more intense.
Like Intervals, But Lighter
Similar, pushed toward warmer and easier.
Like Intervals, But Less Popular
Same territory, far fewer people have seen it.

















































