
Empire
Directed by Andy Warhol
Produced by Andy Warhol Films
A radical, meditative durational artwork that uses a single fixed shot of an iconic building to interrogate time, perception, and the nature of cinema itself.
Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.
Clusters
Genres
Questions people ask
Is Empire violent? No. Less violent than 92% of films.
Is Empire easy watching? Barely. Less comforting than 86% of films.
Is Empire scary? Barely. Less frightening than 84% of films.
Does Empire end with hope? Barely. Less hopeful than 78% of films.
Is Empire sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Empire
Nearest across the full emotional profile.
Same Mood as Empire
Nearest on what's most distinctive about this one.
Like Empire, But Darker
Similar, pushed toward heavier and more intense.
Like Empire, But Lighter
Similar, pushed toward warmer and easier.
Like Empire, But Less Popular
Same territory, far fewer people have seen it.



















































