Yes, very. More sad than 99% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Kapo easy watching?

No. Less comforting than 99% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Kapo end with hope?

No. Less hopeful than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes, very. More frightening than 94% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More violent than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Kapo

Name: Kapo
Genre: Drama, War
Released: 1960
Duration: 117 min
Rating: 6.9
Cast: Susan Strasberg, Laurent Terzieff, Emmanuelle Riva, Didi Perego, Gianni Garko

Directed by Gillo Pontecorvo

Produced by Cineriz, Francinex

1960117 min6.9 / 10

A harrowing examination of moral compromise and survival under totalitarian horror, centered on a woman's descent into complicity within the machinery of genocide.

Determined to survive at any price, Edith, a young Jewish woman deported to an extermination camp, manages to survive by accepting the role of kapo, a privileged prisoner whose mission is to ruthlessly guard other prisoners.

Clusters

Realistic Films About Cruelty Movies About Institutional Injustice Depression and Complicity Government Oppression Dramas

Genres

Drama War

Keywords

Concentration Camp Holocaust (shoah)Communists

Questions people ask

Is Kapo sad? Yes, very. More sad than 99% of films.
Is Kapo easy watching? No. Less comforting than 99% of films.
Does Kapo end with hope? No. Less hopeful than 96% of films.
Is Kapo scary? Yes, very. More frightening than 94% of films.
Is Kapo violent? Yes. More violent than 80% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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