
Good Morning, Night
Directed by Marco Bellocchio
Produced by Filmalbatros, RAI Cinema
A morally complex, introspective portrait of a young terrorist caught between ideology and conscience during Italy's violent political upheaval.
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
Clusters
Questions people ask
Does Good Morning, Night end with hope? No. Less hopeful than 96% of films.
Is Good Morning, Night sad? Yes. More sad than 88% of films.
Is Good Morning, Night easy watching? Not especially. Less comforting than 74% of films.
Is Good Morning, Night scary? Somewhat. More frightening than 72% of films.
Is Good Morning, Night violent? Somewhat. More violent than 59% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Good Morning, Night, and what each one shares →
Like Good Morning, Night
Nearest across the full emotional profile.
Same Mood as Good Morning, Night
Nearest on what's most distinctive about this one.
Like Good Morning, Night, But Darker
Similar, pushed toward heavier and more intense.
Like Good Morning, Night, But Lighter
Similar, pushed toward warmer and easier.
Like Good Morning, Night, But Less Popular
Same territory, far fewer people have seen it.



























































