
Kill Katie Malone
you can't choose your family, but she can
Directed by Carlos Ramos Jr.
Produced by Scatena & Rosner Films, Artifact 2613
A supernatural horror-thriller about college friends who accidentally unleash a vengeful ghost, blending dark supernatural menace with the bonds of friendship under duress.
College students and best friends Ginger Matheson, Jim Duncan, and Kyle "Dixie" Canning, pool their cash to buy a "ghost" in an online auction. The three think it's all a goof, but once they open up the antique box to examine their "treasure," they unleash the vengeful spirit of an Irish servant girl who has been wreaking havoc on her owners throughout the generations
Keywords
Questions people ask
Is Kill Katie Malone scary? Yes. More frightening than 87% of films.
Does Kill Katie Malone end with hope? Barely. Less hopeful than 80% of films.
Is Kill Katie Malone violent? Somewhat. More violent than 68% of films.
Is Kill Katie Malone easy watching? Not especially. Less comforting than 61% of films.
Is Kill Katie Malone sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Kill Katie Malone
Nearest across the full emotional profile.
Same Mood as Kill Katie Malone
Nearest on what's most distinctive about this one.
Like Kill Katie Malone, But Darker
Similar, pushed toward heavier and more intense.
Like Kill Katie Malone, But Lighter
Similar, pushed toward warmer and easier.
Like Kill Katie Malone, But Less Popular
Same territory, far fewer people have seen it.




























































