Yes. More sad than 88% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is La Roue easy watching?

Somewhat. More comforting than 71% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less frightening than 65% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less violent than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does La Roue end with hope?

Somewhat. More hopeful than 62% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

La Roue

Name: La Roue
Genre: Drama, Romance
Released: 1923
Duration: 418 min
Rating: 7.3
Cast: Séverin-Mars, Ivy Close, Gabriel de Gravone, Pierre Magnier, Max Maxudian

Directed by Abel Gance

Produced by Films Abel Gance

1923418 min7.3 / 10

A tender, melancholic silent-era drama about familial bonds and the burden of secrets, centered on a railwayman's struggle to protect the daughter he has raised as his own.

Sisif, a railwayman, saves a young girl named Norma orphaned by a train crash and raises her as his own daughter alongside his son, Elie. As she becomes an adult, Sisif grapples with whether to tell Norma the truth about her parentage.

Clusters

Bittersweet Family Stories Blue-Collar Jobs

Genres

Drama Romance

Keywords

Silent Film Railwayman

Questions people ask

Is La Roue sad? Yes. More sad than 88% of films.
Is La Roue easy watching? Somewhat. More comforting than 71% of films.
Is La Roue scary? Not especially. Less frightening than 65% of films.
Is La Roue violent? Not especially. Less violent than 64% of films.
Does La Roue end with hope? Somewhat. More hopeful than 62% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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