
Life, and Nothing More…
The Earth moved, we didn't!
Directed by Abbas Kiarostami
Produced by Kanoon
A meditative docudrama about a filmmaker and his son journeying through earthquake devastation to reconnect with past actors, finding resilience and human dignity amid loss.
After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.
Clusters
Keywords
Questions people ask
Does Life, and Nothing More… end with hope? Yes. More hopeful than 85% of films.
Is Life, and Nothing More… scary? Barely. Less frightening than 84% of films.
Is Life, and Nothing More… sad? Yes. More sad than 82% of films.
Is Life, and Nothing More… violent? Not especially. Less violent than 64% of films.
Is Life, and Nothing More… easy watching? Somewhat. More comforting than 62% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Life, and Nothing More…
Nearest across the full emotional profile.
Same Mood as Life, and Nothing More…
Nearest on what's most distinctive about this one.
Like Life, and Nothing More…, But Darker
Similar, pushed toward heavier and more intense.
Like Life, and Nothing More…, But Lighter
Similar, pushed toward warmer and easier.
Like Life, and Nothing More…, But Less Popular
Same territory, far fewer people have seen it.


















































