
Lilies
Great Passion and Tragic Betrayal
Directed by John Greyson
Produced by Galafilm, Alliance Films
A haunting, deeply melancholic meditation on forbidden love and its tragic consequences, told through a prison play that forces a bishop to confront his buried past.
1952: Bishop Bilodeau visits a prison to hear the confession of Simon, a boyhood friend jailed for murder 40 years ago. However, once there, Bilodeau finds himself forced to watch a play put on by Simon and the other inmates depicting the two men's youths. As the play progresses, the tragic truth of Simon's crime comes to light.
Clusters
Questions people ask
Is Lilies sad? Yes, very. More sad than 99% of films.
Does Lilies end with hope? Barely. Less hopeful than 83% of films.
Is Lilies scary? Somewhat. More frightening than 67% of films.
Is Lilies easy watching? Not especially. Less comforting than 61% of films.
Is Lilies violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Like Lilies
Nearest across the full emotional profile.
Same Mood as Lilies
Nearest on what's most distinctive about this one.
Like Lilies, But Darker
Similar, pushed toward heavier and more intense.
Like Lilies, But Lighter
Similar, pushed toward warmer and easier.
Like Lilies, But Less Popular
Same territory, far fewer people have seen it.

















































